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Visual Art Culture of São Paulo and Beyond

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Lygia Clark

by Ivi Brasil | June 16, 2025

Flavorful Shapes: A Review of “Geometrias” at MASP

by Olavo Barros | August 30, 2024

Re-Imagination: A Review of “Calder+Miró” at Instituto Tomie Ohtake

by Luiz Armando Bagolin | April 12, 2024

Chorus of Singularities: A Review of “Angels with Guns” at Pinakotheke Cultural, Rio de Janeiro

At Instituto Moreira Salles, Iole de Freitas, sequential images of video “Glass Pieces, Life Slices,” Milan, Italy, 1975. Iole de Freitas Collection/Photo courtesy of the artist and IMS, São Paulo.

by Cynthia Garcia | September 11, 2023

Bold Moves: Curators Reflect on Iole de Freitas’ Triple Solos in São Paulo

by Cynthia Garcia | August 28, 2023

Spatial Poetics: Curator Claudia Moreira Salles on ABERTO 02 and How Art Takes Over a Vilanova Artigas-Designed House

by Cynthia Garcia | October 4, 2021

Sensorial Aesthetics: A New Exhibition Encompasses Lygia Clark’s Four-Decade Career

by Cynthia Garcia | November 12, 2019

The Beauty of Imperfection: Japanese Ceramicist Kimi Nii Brings a Zen Outlook to Artmaking

by Cynthia Garcia | November 5, 2019

The Scale of Common Things: Conceptual Giant Cildo Meireles Mounts Impressive Survey

by Cynthia Garcia | October 8, 2019

Self-Assured and Shocking: A New Exhibition Takes on the Legacy of Flávio de Carvalho

by Juliana de Moraes | September 27, 2019

Ascânio MMM and the New Uses

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