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Visual Art Culture of São Paulo and Beyond

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Mána Taylor

A group of people in minimal clothing stand and interact on grassy land near a river, with several large frogs and a bird nearby. Green mountains are visible in the background under a blue sky.

by Mána Taylor | July 10, 2026

Three Generations of Amazonian Artists at David Nolan Gallery "Riverlines: Three Generations of Amazonian Indigenous Artists" guides spectators through separate exhibitions in a manner akin to sailing down a riverline.

by Mána Taylor | March 21, 2025

With No End in Sight: A Review of Luiz Roque at Mendes Wood DM New York

by Mána Taylor | November 25, 2024

Solemn Spaces: A Review of André Griffo at Nara Roesler New York

by Mána Taylor | September 27, 2024

Two in One: A Preview of the Retrospective of Twin Artists Osgemeos at the Hirshhorn Museum in Washington, DC

by Mána Taylor | August 2, 2024

Connect Across Time: A Review of “Co(r)respondences” at Nara Roesler New York

by Mána Taylor | April 22, 2024

Weaving Histories: A Review of “Threads to the South” at Institute for Studies on Latin American Art, New York

by Mána Taylor | April 5, 2024

Delicate Vessels: A Review of Angelo Venosa at Nara Roesler, New York

by Mána Taylor | February 12, 2024

What Memory Holds: A Review of Paulo Nimer Pjota at Mendes Wood DM, New York

by Mána Taylor | January 29, 2024

Inside Clouds: A Review of Sandra Cinto at Tanya Bonakdar, New York

by Mána Taylor | November 28, 2023

Paintings Without Painting: A Review of Daniel Senise at Nara Roesler in New York

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