by Cynthia Garcia | August 14, 2026Daniel Senise Guides Us Through the Looking Glass "Os dois lados da janela" is a testament to Senise's extensive career.
by Luiz Armando Bagolin | August 10, 2026What The Parentheses Hold "O (tempo)," a Waltercio Caldas exhibit, plays with disappearance, reemergence and how punctuation expresses time.
by Luiz Armando Bagolin | July 20, 2026Rubem Valentim’s Geometry of the Sacred MAM Rio's retrospective Valentim exhibition follows a historical wave of influence.
by Cynthia Garcia | June 29, 2026The Photo Prankster Vik Muniz at Rio’s Centro Cultural Banco do Brasil A Muniz Retrospective Offers a Comprehensive Overview of the Artist's Work to Date
by Ekaterina Mastyukova | June 26, 2026An Unlikely Encounter at “Eu Chorei Os Rios” at FGV Arte in Rio de Janeiro "I cried rivers: Art from the Indigenous Peoples of the Americas" is a collection of associations, of works speaking of a similar struggle.
by Cynthia Garcia | May 18, 2026A Masterclass in Sustainability, How Hugo França Turns Abandoned Wood into Magnificent Art His oeuvre is centered on fine-art sculpture, sculptural design and urban furniture designed for public spaces.
by Cynthia Garcia | April 24, 2026The Iconic Paço Imperial Museum Stages a Definitive Takeover "Constellations—Forty Years of Paço Imperial" isn't just any anniversary show. The curators gathered artists from different eras and backgrounds to reveal the invisible threads connecting them, making historical pieces feel startlingly current and new works feel instantly legendary.
by Luiz Armando Bagolin | February 2, 2026Beatriz Milhazes’ Dance of Color at Casa Roberto Marinho The painter's solo exhibition "Nomadic Paintings" affirms the assurance that color may still foster coexistence in the present, making visible what remains inhabitable within us.
by Brian Hieggelke | November 23, 2025Art in Brazil: A Guide for Collectors, Curators and the Curious
by Cynthia Garcia | September 19, 2025Thais Darzé Brings An Exhibition on Afro-Brazilian Myths to Rio de Janeiro The curator talks about how "Between Aiyê and Orun" forms a dialogue between Yoruba traditions and contemporary art.
