by Mána Taylor | October 31, 2023Where Art Is Everything: A Review of “Cosmic Shelter” by Hélio Oiticica and Neville D’Almeida at Leubsdorf Gallery in New York
by Cynthia Garcia | September 11, 2023Bold Moves: Curators Reflect on Iole de Freitas’ Triple Solos in São Paulo
by Cynthia Garcia | October 4, 2021Sensorial Aesthetics: A New Exhibition Encompasses Lygia Clark’s Four-Decade Career
by Cynthia Garcia | March 31, 2020All That Glitters: Myriam Glatt Turns Refuse Into Beauty With Cardboard Sculptures
by Cynthia Garcia | March 10, 2020Freedom of Expression: Vincent Rosenblatt Explains How Brazil’s Baile Funks Are Akin to Photography
by Cynthia Garcia | November 12, 2019The Beauty of Imperfection: Japanese Ceramicist Kimi Nii Brings a Zen Outlook to Artmaking
by Cynthia Garcia | November 5, 2019The Scale of Common Things: Conceptual Giant Cildo Meireles Mounts Impressive Survey
by Cynthia Garcia | October 15, 2019Spontaneous Poetics: Marepe Explains Why Bahia is the Perfect Place for Making Art
by Cynthia Garcia | October 8, 2019Self-Assured and Shocking: A New Exhibition Takes on the Legacy of Flávio de Carvalho
