by Beto Shwafaty | November 21, 2023Distances Are Not Invisible: A Review of Stanley Brouwn et al at Coleção Moraes Barbosa
by Beto Shwafaty | May 19, 2023Support, Risk, Experimentation and Market: A Review of “Petite Galerie, Franco Terranova and the Brazilian avant-gardes” at Superfície
by Cynthia Garcia | May 26, 2020Money Man: Master Intaglio Engraver J. Bosco Renaud Mixes Art and Anti-Counterfeiting Technology
by Cynthia Garcia | March 10, 2020Freedom of Expression: Vincent Rosenblatt Explains How Brazil’s Baile Funks Are Akin to Photography
by Cynthia Garcia | December 17, 2019A Pursuit of Quality Art: Gallerist Luisa Strina Reflects on Her Decades-Long Career
by Cynthia Garcia | November 5, 2019The Scale of Common Things: Conceptual Giant Cildo Meireles Mounts Impressive Survey
by Caroline Carrion | February 11, 2015Review: I represent the artists, Revisited/Luisa Strina Gallery