October 25, 2022 at 7:00 am by Sarah M. Estrela BeckDon’t Look Away: A Review of Social Fabric: Art and Activism in Contemporary Brazil at the University of Texas
August 2, 2019 at 9:00 am by Kristin KorolowiczResisting the Silence of Forgetting: A Review of The Edge of Things at MSU Broad
May 16, 2019 at 9:00 am by Marina Resende SantosOne to One: A Walkthrough with Artist Jonathas de Andrade in Chicago
October 16, 2017 at 1:12 pm by Juliana de MoraesA Circle is a Circle is a Circle: A review of “Vain Circularity” at Rio’s Z42 Arte Contemporânea
September 12, 2017 at 12:00 pm by Juliana de MoraesHow to Remove Nails (or the Art and Praise of Loss): A review of “Places of Delirium” at Museum of Art of Rio (MAR)
July 21, 2017 at 9:00 am by Beto ShwafatyAn Eye for An Eye: The Orwellian Implications of Ricardo Basbaum’s solo show at Galeria Jaqueline Martins
April 28, 2017 at 9:41 am by Beto ShwafatyThe Semiotics of the Symbiotic: A Review of Johanna Calle’s Babel at Marília Razuk Gallery
April 27, 2017 at 9:00 am by Beto ShwafatyHere, there was a project of city: A Review of “Avenida Paulista” at MASP, São Paulo
April 14, 2017 at 9:00 am by Juliana de MoraesThe Copy Machine A Review of “The Conceptual Collective,” by Filé de Peixe Collective at Paço Imperial in Rio de Janeiro
January 21, 2017 at 9:09 am by Beto ShwafatyIn the Same Place, Other Places A Review of Ana Maria Tavares at Pinacoteca of the State of São Paulo
