by Mána Taylor | November 28, 2023Paintings Without Painting: A Review of Daniel Senise at Nara Roesler in New York
by Mána Taylor | October 31, 2023Where Art Is Everything: A Review of “Cosmic Shelter” by Hélio Oiticica and Neville D’Almeida at Leubsdorf Gallery in New York
by Cynthia Garcia | August 7, 2023Modern to the Core: A Conversation with Conceptual Artist Jac Leirner on the Occasion of Her Exhibition at the Swiss Institute in New York
by Cynthia Garcia | February 13, 2023Color Change: A Conversation and Consideration of Bruno Dunley’s “Clouds” at Galeria Nara Roesler in New York City
by Cynthia Garcia | December 5, 2022Connecting Disparate Universes: An Interview with Maxwell Alexandre on the Occasion of His First Solo Exhibition in the United States
by Cynthia Garcia | October 17, 2022Kidnapper of Souls: Dalton Paula Honors Brazil’s Black History in his Brazilian Portraits Series
by Cynthia Garcia | November 1, 2021Art Maven: Gisela Gueiros Talks Curating, Rembrandt and the Difference Between São Paulo and New York
by Cynthia Garcia | July 26, 2021Intimacy and Balance: Artist Janaina Tschäpe Discusses Her Two Watertight Exhibitions
by Cynthia Garcia | May 31, 2021Making Art Out of Anguish: Raul Mourão Comments on the Brazilian State With Heavyweight Sculptures
by Cynthia Garcia | January 11, 2021The Public Space: Sentar – Ler – Escrever Invites Viewers to Sit and Reflect on Life
