May 23, 2023 at 7:00 am by Beto ShwafatyThe Mutability of Known Forms : A Review of João Loureiro’s “Desacordados” at Sé Gallery
May 19, 2023 at 7:00 am by Beto ShwafatySupport, Risk, Experimentation and Market: A Review of “Petite Galerie, Franco Terranova and the Brazilian avant-gardes” at Superfície
May 4, 2023 at 7:00 am by Beto ShwafatyUprooted and Expelled : A Review of Maria Thereza Alves’ “The Council of Beings” at Jaqueline Martins
July 21, 2017 at 9:00 am by Beto ShwafatyAn Eye for An Eye: The Orwellian Implications of Ricardo Basbaum’s solo show at Galeria Jaqueline Martins
April 28, 2017 at 9:41 am by Beto ShwafatyThe Semiotics of the Symbiotic: A Review of Johanna Calle’s Babel at Marília Razuk Gallery
April 27, 2017 at 9:00 am by Beto ShwafatyHere, there was a project of city: A Review of “Avenida Paulista” at MASP, São Paulo
January 21, 2017 at 9:09 am by Beto ShwafatyIn the Same Place, Other Places A Review of Ana Maria Tavares at Pinacoteca of the State of São Paulo
January 9, 2017 at 1:56 pm by Beto ShwafatySocializing the Forms of Art Revisiting the Legacy of the Concrete Modernist Geraldo de Barros at Luciana Brito Gallery
November 19, 2016 at 2:00 pm by Beto ShwafatyArt Versus Artifact Assessing the Battle Scars of History in “Adornos do Brasil Indígena/Resistências Contemporâneas at SESC Pinheiros
October 6, 2016 at 3:25 pm by Beto ShwafatyBrazilian Reality: A Consideration of the Social Chronicles of Cândido Portinari, Currently on Exhibition at MASP
